born in queens, new york, k.yeung is a writer, technologist, and mooncake-lover based in london. his work moves through diasporic memory, queer embodiment, political feeling, and the systems that script contemporary life.

he is writing a debut collection that threads autotheory, lyric narrative, and digital criticism to examine how power inscribes itself onto the body—through family, migration, race, interface, and the architectures of global capital. the work unfurls when visibility becomes a demand, when desire is shaped by inheritance, and when the world mistakes legibility for truth.

across forms, he articulates embodied critique: thinking from the body, through its frictions, vulnerabilities, and resistances, rather than from the safe distance of abstraction. The collection reads the everyday as infrastructure—ritual as technology, shame as a system, desire as a kind of archive—and asks what it means to make oneself opaque again in an age of infinite exposure.

(The project continues to grow as its questions deepen)