currently, he writes through attention, diaspora, postcritical aesthetics, and system poetics across essay, poetry, and lyric-critical hybrids that embody an autotheoretical method: embodied critique—theory not performed at a distance, but as the felt consequence of being in relation to systems that mistake distance for objectivity.

his work traces the soft/hard architectures—code, memory, ritual, migration—that choreograph and multiply our inner lives.